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Hallgrímskirkja is a Lutheran church, located on top of the Skólavörðuhæð hill in the centre of Reykjavík. At 74.5 metres (245 feet) tall, it is the largest church in Iceland, and its tower offers a spectacular panoramic view over the city.
History and Design
The church was designed by one of Iceland’s most renowned architects, Guðjón Samúelsson, who is said to have sought inspiration for his expressionistic design from elements of Icelandic nature.
These include glaciers, mountains and lava formations, particularly the hexagonal basalt columns that surround the waterfall Svartifoss in Skaftafell Nature Reserve, in Vatnajökull National Park. These have influenced the architecture of many structures in Iceland, as well as a whole host of other artistic projects.
It is also designed to resemble Thor’s hammer, with the handle facing up, as a nod to Iceland’s religious history.
The church took 41 years to build, with construction starting in 1945 and finishing in 1986. The leaders of the Church of Iceland wanted a building that would tower over the Catholic Church of Landakotskirkja, also designed by Samúelsson.
The large pipe organ inside Hallgrímskirkja, consisting of over 5000 pipes, was built by German Johannes Klais of Bonn and its construction was completed in December 1992.
Outside the church stands one of the most famous statues of one of Iceland’s most legendary children, Leifur Eiríksson, by American sculptor Alexander Stirling Calder; Eiríksson was a Norse explorer from Iceland who discovered the continent of North America in the year 1000, more than half a century before Christopher Columbus.
The statue was a gift from the United States in 1930, on the millennial anniversary of Iceland’s legislative body, the Alþingi, founded in Þingvellir in 930 AD. This was the world’s first democratically elected parliament and is now located in Reykjavík.
Culture
The church’s namesake is the Icelandic priest Hallgrímur Pétursson, a 17th-century poet and author of the Passion Hymns (Passíusálmar). These hymns are a vital part of Icelandic religious tradition and a staple of local literature, having been reprinted over 75 times since their original publishing in 1666.
The tower of the church is each day visited by hundreds of spectators who seek to enjoy its sweeping view of the capital. The observation tower can be accessed via a lift. There is a small fee to ascend above the clock, which goes towards the maintenance and running of the church.
Hallgrímskirkja counts as the most iconic landmark of the city of Reykjavík and is visible throughout most of the capital, challenged only by the concert hall and conference centre Harpa. It is a useful tool for navigating as visitors wander the streets.
It also serves as a focal meeting point for several cultural events, such as the annual gathering for watching the fireworks on New Year’s Eve. On this night, thousands of people set off dozens of fireworks in an ad-hoc, somewhat chaotic, yet unbelievably dazzling show.
In the lead-up to the night many shops sell protective goggles that are recommended for all observers, particularly children, due to a few incidents of debris falling from poorly aimed fireworks.
The Sun Voyager (Sólfarið) is a large steel sculpture of a ship, located on the road Sæbraut, by the seaside of central Reykjavík. The work is one of the most visited sights in the capital, where people gather daily to gaze at the sun reflecting in the stainless steel of this remarkable monument.
Concept
The sculpture serves as an ode to the sun where it gracefully faces north across Faxaflói Bay. A popular misconception is that the Sun Voyager represents a Viking Ship. However, that is not quite the case. According to the sculptor’s vision, the piece rather accounts for a vessel of dreams. In his own words, the artist says that the sculpture represents, "the promise of undiscovered territory, a dream of hope, progress and freedom."
The sculptor is Jón Gunnar Árnason, who described his vision as one of the possible origins of the Icelandic people. When Jón visited the island of Bockholm in Finland, he claimed to have experienced an uncanny feeling that he’d been there before, many centuries ago.
The story goes that as ancient explorers from the centre of the known world set out to the four different cardinal directions, some set out towards the rising sun and made port at Mongolia. There, they settled down, until discovering the scribes of the explorers from the original journey who had ventured out west.
With the discovery of another fatherland, the people yet again set sail, but this time they headed back towards the setting sun. After having followed the sun for years, they eventually ended up on an island in the middle of the Atlantic Ocean.
When Jón was looking out to sea from Bockholm, he envisioned a vessel of dreams that would take him the rest of the way home; to the newfound promise land of the setting sun. He carved his vision into a granite rock by the sea, and thus the sun ship was born in his mind.
History
As the city of Reykjavík celebrated its 200-year anniversary in 1986, the town council of Vesturbær held a competition for works of exterior art. The Sun Voyager was deemed as the winner, and an aluminium prototype was donated to the city of Reykjavík.
In August 1990, the final piece was revealed at its current location by Sæbraut. Sadly, this was shortly after the death of Jón, who never got to see his masterpiece unveiled.
The site of the sculpture was considerably disputed. Many have pointed out the fallacy in the ship’s mast facing north, as opposed to west; to adhere to the original concept behind the artist’s vision.
Jón originally wanted the ship to be situated in the western part of Reykjavík, or by the coastline of Ánanaust. Eventually, and with the artist’s consent, the small headland on Sæbraut got chosen. Although the headland has no name, the artist comically referred to it as Jónsnes—or Jón’s Peninsula.
The Sun Voyager is often deemed the capital’s most famous artwork, but the city is full of sculptures, architectural masterpieces and street art, some sanctioned and some not, all of which is worth admiring.
Below, you can see a time-lapse video of a day in the life of the Sun Voyager sculpture.
Harpa is Rekjavík’s premier concert hall and conference centre. Opened in 2011, its design was a collaboration between Danish-Icelandic artist Ólafur Elíasson, and the Danish firm Henning Larsen Architects. Today, it is a cultural centre of Reykjavík and one of the city’s most iconic landmarks.
History
The idea for a purpose-built concert hall in Reykjavík had been tossed around since the 1880s, but it wasn't until this millennium that it began to gain traction. Construction finally began in 2007, with Icelanders as blissfully unaware as the rest of us as to the problems that year would bring.
The wake of the financial crash of 2008 hit Iceland far harder than most other countries; its banks far overstretched themselves across Europe and ended up heavily indebting the people when they collapsed.
The future of Iceland’s economy was uncertain, especially when the government declared they would not bail out the banks nor pay off their debts, much to the chagrin of countries like the Netherlands and the UK.
In this tumultuous period, Harpa was left partially constructed, with no funds to finish it. The Icelandic populace was divided between having a half-finished construction site facing their downtown—a humiliating reminder of their country’s financial state—or spending money no-one was sure they had.
The Icelandic government, however, decided that it was the only building in the country that warranted being raised, in spite of the dubious future of the economy, and fully financed its completion.
When the European Court of Justice ruled that Iceland did not have to bend to the will of its debtors, the country was united in supporting it.
Architecture
Harpa won the prestigious Mies van de Rohe award in 2013, otherwise known as the European Prize for Contemporary Architecture, and is featured heavily in any tour of the city. Its structure is beautiful and unique; it has a facade of 714 glass panels, all of which are a different shape and built with an LED light that allows for shows whenever the sky is dark.
Ólafur Elíasson is world-renowned for his large-scale installation art, and for the influences he draws from the natural world. This is clearly exhibited in Harpa. The building reflects the basalt landscapes of Iceland and the dark-coloured glass creates beautiful effects with the natural light. Considering the midnight sun and aurora borealis, this can be quite spectacular.
Studio Olafur Eliasson employs 90 people, from architects to graphic designers, craftsmen to art historians. Based in Berlin, they work across the world, and are well-known for works such as London's 2007 Serpentine Gallery Pavillion and the annual event Life is Space.
Henning Larsen Architects are similarly successful. They have collaborated on the construction of dozens of buildings in over twenty countries, such as the Copenhagen Opera House and Uppsala Concert Hall in Sweden. They are currently working on the creation of thirteen buildings around the world, many of which they scored the opportunity to work on due to their competition-winning designs.
Harpa Today
Today, Harpa is one of the jewels in Reykjavík’s crown. The hall hosts exhibitions, concerts, cultural events, meetings, and festivals such as Airwaves, Sónar and the Reykjavík Fashion Festival. Home of the Icelandic Symphony Orchestra and the offices of the Icelandic Opera, it is a centre of culture in Iceland’s capital.
Many internationally known artists from around the world have performed here, including people such as Eddie Izzard and Cyndi Lauper. It also regularly showcases native talent, such as Björk and Of Monsters and Men.
Below, you can see a video showing Harpa's construction:
Tjörnin is the historic, picturesque pond that can be found in downtown Reykjavík.
Sites and Activities at Tjörnin
This popular spot in the capital city is bordered by cultural sites such as the National Gallery of Iceland, the theatre Tjarnabío, and Reykjavík City Hall, where the Guide to Iceland visitor centre is located.
Tjörnin has a year-round duck population, due to the fact that one corner of the lake is geothermally heated so that it never freezes over.
It is better to feed the birds with treats like oats and frozen peas, which they digest much better than bread. This is not encouraged in summer, however, as the free food attracts seagulls which compete with the residents.
Swans, geese, tern and many other species also frequent the lake throughout summer. This makes it a favourite spot in the city for birdwatching.
Of course, to sea saltwater birds like the puffin, visitors need to book a boat trip out of the city or visit a site such as the Dyrhólaey cliffs. This is only possible from May to September as they are migratory.
The pond borders a beautiful inner city park, Hljómskálagarðurinn, which includes play equipment for children and several fascinating statues.
In winter, the lake freezes so thick (everywhere but the heated part) that it is possible to ice skate on it.
Tjönin’s history
Tjörnin is much older than one might think looking at it. It was first formed at the beginning of the 9th Century, separated from the sea by a gravel barrier.
It was not separated from the sea, however, until 1913, when lochs were built around it to protect it from tidal surges. In 1920, it became even closer to its current form with the building of a bridge across it. This bridge accommodated cars from 1942.
It became a freshwater body as a result of all seawater being separated from it completely in 1989.
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